bugün
- borsa istanbul18
- iltica21
- yulaf lapası vs tost7
- ekmek için ekmeleddin7
- berat albayrak'a iftira atılması11
- erkeğin kadından üstün olduğu gerçeği45
- mandalina çıkmış arkadaşlar6
- horlayan birinin yanında uyuma rehberi10
- mekke kutsal mıdır sorunsalı9
- fon vurgunu53
- kadınların erkeklere hiç çok yakışıklısın dememesi12
- from gold from dust34
- kürk mantolu madonna abartılmış tırt bir kitaptır6
- kürt dizilerinin tutmaması11
- küçük memeli kızların yaşama amacı3
- köylülük7
- deli6
- eskiden 20 liraya yediğim kebabın 50 lira olması8
- küçük memeli3
- en iyi çakmak markası8
- 1 gün diyetteyim3
- hulk gerçek mi6
- yazarların 1 milyon dolar için yapacağı şok şeyler5
- sözlük gey saati vs din saati vs akp saati5
- günün sözü10
- bütün sözlük kızlarının gocu'nun peşinden koşması4
- sabahın bir vakti çay içen insan köylüdür6
- yüksek enflasyon4
- fuhuştan yakalanan sınıf öğretmeni6
- tanrı neden diğer gezegenlere insan göndermedi7
- sen nehrine siz diyen cahil2
- 22 ekim 2026 beşiktaş crystal palace maçı18
- redbull içip camdan atlayan çocuk3
- tmo'ya ait buğdayın lisanslı depolardan çalınması4
- tayyiple yatıp tayyiple kalkmak5
- sözlük kızlarının bicepsleri16
- vurdurmaya meyilli araba5
- mağazadan ürün değiştirme paradoksu3
- bu sözlükte ayak konuşmak yasak6
- 21 ekim 2026 lille galatasaray maçı58
- eski sevgilisi için sahibinden com'a ilan vern kız4
- sabahları 2 kilo bioxcin içen gürbüz genç3
- sözlük erkeklerinin bicepsleri70
- akepe dönemi16
- queen ravenna ifşası15
- yönlendirilmiş panspermia teorisi ve uzaylılar2
- türkiye'nin mekke ve bedir ittifakı hamlesi4
- akapekaka3
- kolye143
- arkadaşlar çok sıkıcısınız10
yeats şiiri olanının dizelerini de yazmak gerekirse;
i have heard that hysterical women say
they are sick of the palette and fiddle-bow.
of poets that are always gay,
for everybody knows or else should know
that if nothing drastic is done
aeroplane and zeppelin will come out.
pitch like king billy bomb-balls in
until the town lie beaten flat.
all perform their tragic play,
there struts hamlet, there is lear,
that's ophelia, that cordelia;
yet they, should the last scene be there,
the great stage curtain about to drop,
if worthy their prominent part in the play,
do not break up their lines to weep.
they know that hamlet and lear are gay;
gaiety transfiguring all that dread.
all men have aimed at, found and lost;
black out; heaven blazing into the head:
tragedy wrought to its uttermost.
though hamlet rambles and lear rages,
and all the drop-scenes drop at once
upon a hundred thousand stages,
it cannot grow by an inch or an ounce.
on their own feet they came, or on shipboard,'
camel-back; horse-back, ass-back, mule-back,
old civilisations put to the sword.
then they and their wisdom went to rack:
no handiwork of callimachus,
who handled marble as if it were bronze,
made draperies that seemed to rise
when sea-wind swept the corner, stands;
his long lamp-chimney shaped like the stem
of a slender palm, stood but a day;
all things fall and are built again,
and those that build them again are gay.
two chinamen, behind them a third,
are carved in lapis lazuli,
over them flies a long-legged bird,
a symbol of longevity;
the third, doubtless a serving-man,
carries a musical instrument.
every discoloration of the stone,
every accidental crack or dent,
seems a water-course or an avalanche,
or lofty slope where it still snows
though doubtless plum or cherry-branch
sweetens the little half-way house
those chinamen climb towards, and i
delight to imagine them seated there;
there, on the mountain and the sky,
on all the tragic scene they stare.
one asks for mournful melodies;
accomplished fingers begin to play.
their eyes mid many wrinkles, their eyes,
their ancient, glittering eyes, are gay.
i have heard that hysterical women say
they are sick of the palette and fiddle-bow.
of poets that are always gay,
for everybody knows or else should know
that if nothing drastic is done
aeroplane and zeppelin will come out.
pitch like king billy bomb-balls in
until the town lie beaten flat.
all perform their tragic play,
there struts hamlet, there is lear,
that's ophelia, that cordelia;
yet they, should the last scene be there,
the great stage curtain about to drop,
if worthy their prominent part in the play,
do not break up their lines to weep.
they know that hamlet and lear are gay;
gaiety transfiguring all that dread.
all men have aimed at, found and lost;
black out; heaven blazing into the head:
tragedy wrought to its uttermost.
though hamlet rambles and lear rages,
and all the drop-scenes drop at once
upon a hundred thousand stages,
it cannot grow by an inch or an ounce.
on their own feet they came, or on shipboard,'
camel-back; horse-back, ass-back, mule-back,
old civilisations put to the sword.
then they and their wisdom went to rack:
no handiwork of callimachus,
who handled marble as if it were bronze,
made draperies that seemed to rise
when sea-wind swept the corner, stands;
his long lamp-chimney shaped like the stem
of a slender palm, stood but a day;
all things fall and are built again,
and those that build them again are gay.
two chinamen, behind them a third,
are carved in lapis lazuli,
over them flies a long-legged bird,
a symbol of longevity;
the third, doubtless a serving-man,
carries a musical instrument.
every discoloration of the stone,
every accidental crack or dent,
seems a water-course or an avalanche,
or lofty slope where it still snows
though doubtless plum or cherry-branch
sweetens the little half-way house
those chinamen climb towards, and i
delight to imagine them seated there;
there, on the mountain and the sky,
on all the tragic scene they stare.
one asks for mournful melodies;
accomplished fingers begin to play.
their eyes mid many wrinkles, their eyes,
their ancient, glittering eyes, are gay.
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