bugün
- kız arkadaşa gökyüzünü hediye etmek12
- sabah bi kalktın kadınsın napardın14
- yaşlı kadın yuzırlar8
- true'nin hiç sevgilisi olmasın mı12
- arkadaşlar sizce bu etek nasıl18
- kasiyer kıza nasıl açılırım8
- 50 yıllık yuzır5
- z kuşağı kızlarının escort gibi olması11
- en kibirli yuzır11
- kezonova4
- friedrich hegel la bi cay icek10
- hırsızların evdeki altını bulamamasını sağlamak8
- uludağ sözlük magazin servisi4
- ruh hastası sapık yazarlar5
- kezoyu delirtmek5
- an itibariyle dile dolanan şarkı sözleri4
- karşısından gelen güzel kıza bakmayan erkek12
- gulmekicinyaratilmis'in aşık olmadığı erkek3
- velvet vs nervio24
- anadolu insanının anlatıldığı kadar saf olmaması5
- sabah gece yazdıklarından utanmak2
- hayat pahalılığı2
- türklerden nefret etme nedenleri6
- adam olamamak3
- velvet47
- bir sabah erkek olarak uyanmak4
- martıyı sakat bırakan falçatalı şahıs3
- hamburger kırmızı çizgimiz10
- en merak ettiğin ulu yazarı12
- sinek ilaçlama arabasının arkasında uçan sinekler2
- kibirden kimse kaçamaz4
- diyetteyiz uludağ sözlük12
- askerde akıllı telefon kullanan er2
- nervio19
- fahişelerin en fazla para kazandığı ülke4
- hoşlanılan kızın saçını çekip kaçmak2
- ultras kültürü2
- aylık 375 bin lira iyi para mıdır sorunsalı2
- merak ediyorsan yaz7
- bugün erkeklerin yüzde 65'i seks yapmadı2
- ağzına verilmek istenen kızın ağzına almaması15
- habire1239
- yeni parti25
- düşün ki o bunu okuyor7
- yetkili oldum yupi2
- halkın arasında sadece chp dolaşabiliyor3
- ciddi ciddi mehdi gelecek diyen insan10
- chp seçmenindeki öğrenilmiş çaresizlik psikolojisi3
- türk rock tarihinin kıymeti anlaşılamamış grupları4
- masterchef cansu2
yeats şiiri olanının dizelerini de yazmak gerekirse;
i have heard that hysterical women say
they are sick of the palette and fiddle-bow.
of poets that are always gay,
for everybody knows or else should know
that if nothing drastic is done
aeroplane and zeppelin will come out.
pitch like king billy bomb-balls in
until the town lie beaten flat.
all perform their tragic play,
there struts hamlet, there is lear,
that's ophelia, that cordelia;
yet they, should the last scene be there,
the great stage curtain about to drop,
if worthy their prominent part in the play,
do not break up their lines to weep.
they know that hamlet and lear are gay;
gaiety transfiguring all that dread.
all men have aimed at, found and lost;
black out; heaven blazing into the head:
tragedy wrought to its uttermost.
though hamlet rambles and lear rages,
and all the drop-scenes drop at once
upon a hundred thousand stages,
it cannot grow by an inch or an ounce.
on their own feet they came, or on shipboard,'
camel-back; horse-back, ass-back, mule-back,
old civilisations put to the sword.
then they and their wisdom went to rack:
no handiwork of callimachus,
who handled marble as if it were bronze,
made draperies that seemed to rise
when sea-wind swept the corner, stands;
his long lamp-chimney shaped like the stem
of a slender palm, stood but a day;
all things fall and are built again,
and those that build them again are gay.
two chinamen, behind them a third,
are carved in lapis lazuli,
over them flies a long-legged bird,
a symbol of longevity;
the third, doubtless a serving-man,
carries a musical instrument.
every discoloration of the stone,
every accidental crack or dent,
seems a water-course or an avalanche,
or lofty slope where it still snows
though doubtless plum or cherry-branch
sweetens the little half-way house
those chinamen climb towards, and i
delight to imagine them seated there;
there, on the mountain and the sky,
on all the tragic scene they stare.
one asks for mournful melodies;
accomplished fingers begin to play.
their eyes mid many wrinkles, their eyes,
their ancient, glittering eyes, are gay.
i have heard that hysterical women say
they are sick of the palette and fiddle-bow.
of poets that are always gay,
for everybody knows or else should know
that if nothing drastic is done
aeroplane and zeppelin will come out.
pitch like king billy bomb-balls in
until the town lie beaten flat.
all perform their tragic play,
there struts hamlet, there is lear,
that's ophelia, that cordelia;
yet they, should the last scene be there,
the great stage curtain about to drop,
if worthy their prominent part in the play,
do not break up their lines to weep.
they know that hamlet and lear are gay;
gaiety transfiguring all that dread.
all men have aimed at, found and lost;
black out; heaven blazing into the head:
tragedy wrought to its uttermost.
though hamlet rambles and lear rages,
and all the drop-scenes drop at once
upon a hundred thousand stages,
it cannot grow by an inch or an ounce.
on their own feet they came, or on shipboard,'
camel-back; horse-back, ass-back, mule-back,
old civilisations put to the sword.
then they and their wisdom went to rack:
no handiwork of callimachus,
who handled marble as if it were bronze,
made draperies that seemed to rise
when sea-wind swept the corner, stands;
his long lamp-chimney shaped like the stem
of a slender palm, stood but a day;
all things fall and are built again,
and those that build them again are gay.
two chinamen, behind them a third,
are carved in lapis lazuli,
over them flies a long-legged bird,
a symbol of longevity;
the third, doubtless a serving-man,
carries a musical instrument.
every discoloration of the stone,
every accidental crack or dent,
seems a water-course or an avalanche,
or lofty slope where it still snows
though doubtless plum or cherry-branch
sweetens the little half-way house
those chinamen climb towards, and i
delight to imagine them seated there;
there, on the mountain and the sky,
on all the tragic scene they stare.
one asks for mournful melodies;
accomplished fingers begin to play.
their eyes mid many wrinkles, their eyes,
their ancient, glittering eyes, are gay.
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