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- gençler iş beğenmiyor diyen genç patron12
- sözlükte hic tayt giyen kız olmaması9
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- cilgincapkin24
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- küfürbaz haydo3
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- bir yazarı seven yazarı da sevmemek5
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- ciddi ciddi maymundan geldiğine inanmak8
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- iran'ın bahreyn'deki abd donanmasını vurması6
- türkiye de iyi bir insan olmak4
- 10 haziran 2026 tekin'in ırmak öğretmen açıklaması2
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- fm2026 takım önerileri2
- yeşil gözlü bir kıza aşık olmak6
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- sözlüğe düşkün olanlar üç kat köledir2
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- derealizasyon3
- alo moderasyon2
- chp'nin hali ne olacak34
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- tasavvuf4
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- erkek regline isim önerileri4
- fakir ve cahilken doğurmak5
- neden herkes aynı anda mutlu olmaya çalışıyor3
- seküler kız muhafazakar erkek birlikteliği7
- sözlük kadınlarının bugünkü kombini17
- evleneceğiniz yazarı neye göre seçersiniz12
- yks sınavı taktikleri2
- altının düşüşü6
yakın zamanda nolan'ın filmin sonunun gerçek mi yoksa rüya mı olduğu hakkında yaptığı yorum ise;
"In the great tradition of these speeches, generally someone says something along the lines of 'Chase your dreams,' but I don’t want to tell you that because I don’t believe that. I want you to chase your reality.
"I feel that over time, we started to view reality as the poor cousin to our dreams, in a sense….I want to make the case to you that our dreams, our virtual realities, these abstractions that we enjoy and surround ourselves with - they are subsets of reality."
"The way the end of that film worked, Leonardo DiCaprio’s character Cobb — he was off with his kids, he was in his own subjective reality. He didn’t really care anymore, and that makes a statement: perhaps, all levels of reality are valid. The camera moves over the spinning top just before it appears to be wobbling, it was cut to black.
"I skip out of the back of the theater before people catch me, and there’s a very, very strong reaction from the audience: usually a bit of a groan. The point is, objectively, it matters to the audience in absolute terms: even though when I’m watching, it’s fiction, a sort of virtual reality. But the question of whether that’s a dream or whether it’s real is the question I’ve been asked most about any of the films I’ve made. It matters to people because that’s the point about reality. Reality matters."
"In the great tradition of these speeches, generally someone says something along the lines of 'Chase your dreams,' but I don’t want to tell you that because I don’t believe that. I want you to chase your reality.
"I feel that over time, we started to view reality as the poor cousin to our dreams, in a sense….I want to make the case to you that our dreams, our virtual realities, these abstractions that we enjoy and surround ourselves with - they are subsets of reality."
"The way the end of that film worked, Leonardo DiCaprio’s character Cobb — he was off with his kids, he was in his own subjective reality. He didn’t really care anymore, and that makes a statement: perhaps, all levels of reality are valid. The camera moves over the spinning top just before it appears to be wobbling, it was cut to black.
"I skip out of the back of the theater before people catch me, and there’s a very, very strong reaction from the audience: usually a bit of a groan. The point is, objectively, it matters to the audience in absolute terms: even though when I’m watching, it’s fiction, a sort of virtual reality. But the question of whether that’s a dream or whether it’s real is the question I’ve been asked most about any of the films I’ve made. It matters to people because that’s the point about reality. Reality matters."
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