bugün
- eskiden arkadaşlar genelevde aynı kadına gitmezdi5
- paranın mutluluk getirmemesi3
- kitap okumamak2
- gece gelen yemek yapma isteği8
- eğitim seviyesi azaldıkça kişide artan şey2
- sözlük hanımlarının bugünkü kıyafetleri40
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- kadınlar nasıl giyinmeli sorunsalı14
- terhis oluyorum sözlük21
- aşk15
- queen ravenna sözlüğün kraliçesidir14
- 4 kasım 2026 fenerbahçe liverpool maçı92
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- şeriatı savunan begüm polat'ın şaplak şovu49
- fatma betül sayan kaya28
- silik sayınız7
- coca cola3
- bir sözlük yazarına kahve ısmarlamak12
- masklavi'yi ehonomi çoh eyi derken görmek20
- cumaya gitmeyen yazarlar ifşa platformu21
- chatgpt'nin bir erkeği mutlu etmesini bilmesi12
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- gece 2 de yatıp sabah 6 da kalkmak5
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- münafık11
- victor osimhen9
- fon vurgununu eleştiren imama erişim engeli5
- fatma betülüm yapmaz13
- kale3112'nin çalıştığı binaya saldırı düzenlemek5
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- akşama kadar entry giren torpilli memur12
- 22 yıllık kocam gözüme çirkin geldi kaçtım9
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- yanıyorum diye mesaj atan sözlük kızı4
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- futbol16
- online yazarlar nasıl görünür4
- daha favlamadan zaten favladınız uyarısı4
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- isparta'ya gidip nervio ile kahve içmek11
- ünlüler bim a101 şok'a gidiyor mu sorunsalı7
- iyi menemenin sırrı22
- bitlis'te oğluna filistin ismini koyan adam28
- 19 yaşındaki oğlum üvey annesiyle kaçtı6
- nasıl açık oylarız4
fish'in bir vokal tanrısı olduğuna inanmak için yeter de artar türden bir şarkı.
müzik adına yapılmış en güzel şeylerden birisi olan bu marillion eserinin loreley'de canlı icra edilmiş versiyonunu dinlemek elzemdir. sözleri;
when footlights dim in reverence to prescient passion forewarned
my audience leaves the stage, floating ahead perfumed shift
within the stammering silence, the face that launched a thousand frames
betrayed by a porcelain tear, a stained career
you played this scene before, you played this scene before
i the mote in your eye, i the mote in your eye
a misplaced reaction
the darkroom unleashes imagination in pornographic images
in which you will always be the star, always be the star, untouchable
unapproachable, constant in the darkness
nursing an erection, a misplaced reaction
with no flower to place before this gravestone
and the walls become enticingly newspaper thin
but that would be developing the negative view
and you have to be exposed in voyeuristic colour
the public act, let you model your shame
on the mannequin catwalk, catwalk
let the cats walk, and the cat walks
i've played this scene before, i've played this scene before
i the mote in your eye, i the mote in your eye
a misplaced reaction, satisfaction
you can't brush me under the carpet, you can't hide me under the stairs
the custodian of your private fears, your leading actor of yesteryear
who as you crawled out of the alleys of obscurity
sentenced to rejection in the morass of anonymity
you who i directed with lovers will, you who i let hypnotise the lens
you who i let bathe in the spotlights glare
you who wiped me from your memory like a greasepaint mask
just like a greasepaint mask
but now i'm the snake in the grass, the ghost of film reels past
i'm the producer of your nightmare and the performance has just begun
it's just begun
your perimeter of courtiers jerk like celluloid puppets
as you stutter paralysed with rabbits eyes, searing the shadows
flooding the wings, to pluck elusive salvation from the understudy's lips
retrieve the soliloquy, maintain the obituary
my cue line in the last act and you wait in silent solitude
waiting for the prompt, waiting for the prompt
you've played this scene before
müzik adına yapılmış en güzel şeylerden birisi olan bu marillion eserinin loreley'de canlı icra edilmiş versiyonunu dinlemek elzemdir. sözleri;
when footlights dim in reverence to prescient passion forewarned
my audience leaves the stage, floating ahead perfumed shift
within the stammering silence, the face that launched a thousand frames
betrayed by a porcelain tear, a stained career
you played this scene before, you played this scene before
i the mote in your eye, i the mote in your eye
a misplaced reaction
the darkroom unleashes imagination in pornographic images
in which you will always be the star, always be the star, untouchable
unapproachable, constant in the darkness
nursing an erection, a misplaced reaction
with no flower to place before this gravestone
and the walls become enticingly newspaper thin
but that would be developing the negative view
and you have to be exposed in voyeuristic colour
the public act, let you model your shame
on the mannequin catwalk, catwalk
let the cats walk, and the cat walks
i've played this scene before, i've played this scene before
i the mote in your eye, i the mote in your eye
a misplaced reaction, satisfaction
you can't brush me under the carpet, you can't hide me under the stairs
the custodian of your private fears, your leading actor of yesteryear
who as you crawled out of the alleys of obscurity
sentenced to rejection in the morass of anonymity
you who i directed with lovers will, you who i let hypnotise the lens
you who i let bathe in the spotlights glare
you who wiped me from your memory like a greasepaint mask
just like a greasepaint mask
but now i'm the snake in the grass, the ghost of film reels past
i'm the producer of your nightmare and the performance has just begun
it's just begun
your perimeter of courtiers jerk like celluloid puppets
as you stutter paralysed with rabbits eyes, searing the shadows
flooding the wings, to pluck elusive salvation from the understudy's lips
retrieve the soliloquy, maintain the obituary
my cue line in the last act and you wait in silent solitude
waiting for the prompt, waiting for the prompt
you've played this scene before
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